October 20, 2009

NOMAD “RAINBOWCOLOURED TEARS OF A CLOWN” SOLO EXHIBITION AT CIRCLECULTURE GALLERY

by Johann

VERNISSAGE: 30 OCTOBER 2009, 7.00 P.M.
EXHIBITION:  31 OCTOBER 2009 TO 9 JANUARY 2010

TUESDAY TO SATURDAY, 2 TO 6 P.M.

Circleculture Gallery is pleased to announce its first solo exhibition featuring the artist Nomad. As an original street artist, he developed his expressional variants conceptually and technically through interactive projects in interior and exterior spaces: combining writing and street art with poetry and classical painting. In this context, we become acquainted with Nomad’s “street art” in the gallery as part of a holistic work of art. The works shown move between humour, satire and human drama. At the centre is the clown or fool, who mirrors the ambiguity of human existence.

Madonna Ciccone with black baby Jesus, 200x100cm, Mixed Media on Canvas

Madonna Ciccone with black baby Jesus, 200x100cm, Mixed Media on Canvas

In his works Nomad connects his sensitive artistic side with the ornamental style of his street art and the graphic with the sketchy. There are clearly influences from classical painting, in particular from the Renaissance period. As a result, Nomad’s painting does not aim to be complete – it is a inventory of the here and now that adapts social reality and processes it multi dimensionally. It retains the ease and aesthetic of his freely improvised work on the street.

Resurrectio/Pandemonium, 200x140cm, Mixed Media on Canvas

Resurrectio/Pandemonium, 200x140cm, Mixed Media on Canvas

The works exhibited by Nomad move to and between humorous ease and deep emotionality. Tragedy, love and emotion come up against humour, laissez-faire and improvisation. As a result, he uses on the one hand marker aesthetics in the form of lines, which express the human need for order. On the other hand, he lends his artworks an artistic component with coloured and sketchy elements, which symbolise the chaos of existence. The message is one of self-irony and a positive worldview, which are meant to encourage the observer to think.

Nomad is invited regularly to street art festivals, exhibitions and performances. He counts among the most enduring street artists in Berlin and the world. In the last six years he has painted 2000 to 2500 rubbish objects, which were quickly snapped up off the street by passionate collectors. In the summer of 2009 Nomad worked with American actor Ashton Kutcher to paint the roof of Planet Hollywood in Las Vegas. The large-scale art campaign received international attention.

“Everything I do is based on spontaneity.  My art arises locally and on the spot. On the street I have learned to adapt, to merge existing reality into my art.” Nomad 2009

www.circleculture-gallery.com

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